Filmography
Moving image's the one of my expressing ways:
image, sound, pacing and transition;
What do I think about things, How do I talk about it.
2017-2021
Highlights
2021 Directed, Shoot, Edit and Sound Design, Lady in the mist (Shorts)
• Selected to screen in Flick! Experimental Film by University Liberties,
University of North Carolina
• Designed shot movement, editing pacing, and CGI to affect the audience
the feeling what I want.
• Planned, organized, and run the production into working flow
since pre-production, production, and post-production
2020 Screenwriter, Boom operate and Sound mixing, im in ur (Shorts)
• Solve specific problems from production by post-production;
increase pacing to affect emotions and shorten the film, clarify dialogue
by audio editing and ADR.
• Organizing production in part of planing shooting schedule, call sheet.
• Being a finalist of ‘Cyberbullying’ Mthai short film competitions.
2020 Screenwriter, Boom operate and Sound mixing, im in ur (Shorts)
• Solve specific problems from production by post-production;
increase pacing to affect emotions and shorten the film, clarify dialogue
by audio editing and ADR.
• Organizing production in part of planing shooting schedule, call sheet.
• Being a finalist of ‘Cyberbullying’ Mthai short film competitions.
2020 Screenwriter, Boom operate and Sound mixing, im in ur (Shorts)
• Solve specific problems from production by post-production;
increase pacing to affect emotions and shorten the film, clarify dialogue
by audio editing and ADR.
• Organizing production in part of planing shooting schedule, call sheet.
• Being a finalist of ‘Cyberbullying’ Mthai short film competitions.
2018 CGI and Sound mixing, Chanchala (Shorts)
• Extended film recognition boundary wider by R&D process;
found an experimental way of storytelling.
• Challenging new way of storytelling ‘CGI’ to help expressed ideal visual.
• Won the popular vote award of Invited Young Thai Art and Crafts
Competitive: Short film.
Film Experiences
*Please click on title for more information.
Year of Production | Title | Type | Role | Still |
|---|---|---|---|---|
2020 | The Last Hope | shorts | Actor, Editor, Screenwriter | |
2019 | Kin Khao Kap Pla (กินข้าวกับปลา) | documentary film | Cinematographer, Boom operate, Sound mixing | |
2019 | Thueng Lukchai Khon To (ถึงลูกชายคนโต) | shorts | Screenwriter, Boom operate, Sound Mixing | |
2018 | Chanchala (ชานชาลา) | shorts | CGI, Boom operate, Sound mixing | |
2018 | The place I will back (ที่ที่ฉันอยากกลับ) | shorts | Actor, Screenwriter | |
2017 | tang-mar-lie (ทางม้าลาย) | shorts | Actor, Screenwriter, Boom operate, Sound mixing | |
2017 | sa-ta-nee-kwam-suk (แฮปปี้ สเตชั่น) | shorts | Animator | |
2020 | Sleep (หลับ) | music video | Gaffer | |
2020 | Sa-hai-klai (สหายกลาย) | shorts | Assistant Director, Editor | |
2020 | Pawarana (ปวารณา) | shorts | Gaffer | |
2020 | Love Infinity (รักเธอเหลือเกิน) | music video | Actor, Screenwriter | |
2020 | Realm of the Unconcious | shorts | Assistant Director, Screenwriter | |
2020 | The Last Hope | shorts | Actor, Editor, Screenwriter | |
2019 | Kin Khao Kap Pla (กินข้าวกับปลา) | documentary film | Cinematographer, Boom operate, Sound mixing | |
2019 | Thueng Lukchai Khon To (ถึงลูกชายคนโต) | shorts | Screenwriter, Boom operate, Sound Mixing | |
2018 | Chanchala (ชานชาลา) | shorts | CGI, Boom operate, Sound mixing | |
2018 | The place I will back (ที่ที่ฉันอยากกลับ) | shorts | Actor, Screenwriter | |
2017 | tang-mar-lie (ทางม้าลาย) | shorts | Actor, Screenwriter, Boom operate, Sound mixing | |
2017 | sa-ta-nee-kwam-suk (แฮปปี้ สเตชั่น) | shorts | Animator |
© 2021 by Chalermchai Nuanonk